April In Paris - Sammy Davis Jr. & Count Basie - Sammy Davis Jr. & Count Basie (Vinyl, LP)


Download April In Paris - Sammy Davis Jr. & Count Basie - Sammy Davis Jr. & Count Basie (Vinyl, LP)
1973
Label: MGM Records - SE-4825 • Format: Vinyl LP • Country: Canada • Genre: Jazz •


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8 thoughts on “ April In Paris - Sammy Davis Jr. & Count Basie - Sammy Davis Jr. & Count Basie (Vinyl, LP)

  1. View credits, reviews, tracks and shop for the Vinyl release of Sammy Davis Jr. & Count Basie on Discogs/5(2).
  2. View credits, reviews, tracks and shop for the Vinyl release of Sammy Davis Jr. & Count Basie on Discogs. Label: MGM Records - SE,MGM Records - SE • Format: Vinyl LP, Album • Country: US • Genre: Jazz • Style: Big Band, Swing, Vocal/5(11).
  3. Count Basie, Sammy Davis, Sammy Davis, Count Basie Blues For Mr. Charlie 6. April In Paris Side Two 1. New York City Blues 2. You're Nobody Till Somebody Loves You 3. ・デーヴィスの唄だけ録音し直した(数曲はオリジナルのままのような気がする)「Sammy Davis, Jr. and Count Basie」と /5(28).
  4. Feb 04,  · Count Basie Orchestra - April In Paris from the album April In Paris. Count Basie had the best Swing Big Band on the planet. April In Paris is one of th.
  5. April in Paris is an album by pianist/bandleader Count Basie and His Orchestra, his first released on the Verve label, recorded in and The title track was included in the soundtrack of the video game release Grand Theft Auto IV on the fictitious in-game jazz music radio station "JNR (Jazz Nation Radio)".
  6. April In Paris - (Vernon Duke, Erwin "Yip" Harburg) All titles on: MGM LP SE — Sammy Davis, Jr. And Count Basie () These recordings do not appear in any listings of MGM masters. MGM dipped into its Verve reservoir and took some alternate takes from Sammy's early Semptember session with Count Basie and His Orchestra, and re.
  7. Discover releases, reviews, credits, songs, and more about Sammy Davis* / Count Basie - Our Shining Hour at Discogs. Complete your Sammy Davis* / Count Basie collection.
  8. Details. Verve’s release Our Shining Hour had been a landmark album for Sammy Davis, Jr. marking his long-awaited official collaboration with Count Basie and His Orchestra. Sammy had recorded with the full Count Basie Orchestra back in on I Gotta Right To Swing! for Decca, but the Count himself had been forced to sit out for contractural reasons.

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